Comics
Collector, Spring 1983
RETURN OF THE MIGHTY CRUSADERS
by Derek G. Bishop
A superhero revival has taken place
once again at the company that publishes one of the most popular no adventure
comic book line of titles ever, Archie Comics. With their newly revamped Red
Circle line, which during its short lived tenure in the early 1970's produced
solely mystery/sorcery comics, they intend to return to contemporary superheroes
last seen by the company in the later 1960's, made for the collectors.
While their names may not sound readily
recognizable to the newer fans and collectors, the more knowledgeable among them
can tell you that the Comet (who has changed over the years), Black Hood, Mr.
Justice, The Fox, and The Shield began their crime fighting careers at MLJ
Publications in the Thirties and Forties during what is referred to as the
"Golden Age of Comics." MLJ even- became Archie Publications, named
after the character that was introduced in the mid-1940's. So popular was he, in
fact, that he helped to phase out their entire superhero/adventure line
altogether. It wasn't until the year 1959 that the company would again set
costumed heroes. They began slowly with newer characters, which included an
altogether different version of the Shield, followed by the Fly, the Jaguar, the
Web and Fly Girl. Suddenly, the superhero was "in" again, and it
wasn't long before this company thawed out their Golden Age characters as well.
Both the newer heroes and the older heroes, as well, were featured in a team
comic, The Mighty Crusaders, published by Archie Comics' adventure line, Mighty
Comics. All this came to an end in 1967 and the heroes have been in limbo ever
since.
In the summer of 1982, however, plans
were underway to revive the heroes once again. The new Red Circle group has
already published the first issue of the Mighty Crusaders title. As for plans
for other titles, Rich Buckler, editor of the Red Circle line explained it this
way.
"Right now," Buckler stated,
"we have six titles, and they're all bimonthly books: Mighty Crusaders, The
Fly, The Shield, The Black Hood, The Comet, and then a new title which was
formerly the Web, Blue Ribbon Comics, which will be scheduled soon."
Since the company realizes that the fan
and collector markets are very important, they have taken steps initially to try
to make their new line of comics more impressive, attractive and hopefully, more
worthy of their attention and purchase. Two of these improvements are a heavier
type of coloring process, and a much heavier stock of paper than used on the
average comic book.
"I had asked specifically on a
little bit heavier coloring on the paper," Buckler stated on this. "I
don't want pages that first of all look like they've been printed on toilet
paper. That's why I went with the Mando stock. And I thought we were doing
something innovative until I found out that just about everybody was just about
to gear up for Mando stock. We had decided this six months ago. Unfortunately,
others came out on Mando stock before we did, but whether we're the first on it
or not makes no difference to me. I wanted to put out a pretty package and one
that would last, too, so the collectors put their buck down for it and they have
something they feel worth keeping, and that will increase in value that won't
fall apart in a couple of years."
Red Circle hopes that the creative
people who are involved on the new titles will also help to draw attention to
their publications. Using artists and writers who are well known and are
favorites among fans and collectors in the readership is just another step
they've taken to insure their continued interest and hopeful lasting success.
Buckler, who has illustrated comics in the past for such companies as Marvel,
DC, and Warren, will continue to do so at Red Circle, as well as tackle writing
chores occasionally. And, as far as other talent and what they'll be involved
in, Buckler relates, "So far Alan Weiss has penciled the first issue of The
Shield, and the cover to that book is penciled by Weiss and it's inked by John
Severin. Al McWilliams is going to be doing some work for us as well as Gary
Morrow, Alex Toth, Lee Elias, and (Jim) Steranko. Steranko will do all the
covers for The Fly, and he may do some other material for us. I'd be thrilled if
he did a story for us, but I don't know how much time he has. But if he can work
it out, we're open. I'd love to see an original Black Hood story by him, which
he's asked me about. It's just a matter of things coming together; they have to
come together for something like that.
"Jack Harris, Cary Burkett - two
of my favorite writers and Rich Margopoulos who has written exceptionally for
Warren, will be working with us. We may be doing a new team book, a second team
book, some time near the middle end of 1983. There are other artists that I
can't say we have yet that are available, but I just haven't given them
assignments yet. We're still putting this thing together. The people I've worked
with over the years, and I've made friends with a lot of people, who will
probably be popping up. Not because I'm somebody special, but I 'do know the
guys, and I do know how to work with them. And I'm talking about the guys, and
I'm not naming names specifically, but the guys that are really interested in
good comics. And so I think the fans will be surprised at the people we come up
with.
And how exactly will the characters be
approached as far as characterization is concerned? Will they have a more
dramatic tone and atmosphere, or will they re-adapt the camp attitude of their
sixties comic publications?
"That question has come up a
lot," says Buckler. "Why would we be deliberately immature? What they
were twenty years ago, there's no reason to assume that they'd be the same
today. We'd have to be kind of dumb to pick up where they left off. I'm not sure
exactly what audience those comics were aimed at, but I would not hazard a guess
as to what the fans' tastes are in particular. I can only go by what I enjoy and
what I look for, and by what few people I am close to, and a few collectors. But
I don't think any of them are looking for the camp type stuff that came out from
Mighty Comics in the 1960's." Adding to the subject, Rich Buckler also
mentions, "I would prefer, really, that the readers look at the characters
as new characters, and then will give them a history. And for those that are
able to keep track of who's who and who are fans of those characters, well, all
the better. You see, we don't already want to ignore what's gone before, but we
do want to do what amounts to new versions of the characters."
Plans for Red Circle's first title, The
Mighty Crusaders, include a change in the membership in as far as the group's
members and size are concerned.
"The line-up as it is in the first
issue is not the permanent line-up," says Buckler. "That will change
very soon as we will cut down the number of the group members, although it won't
look like it in the second issue where on the cover we'll feature virtually
every one of the characters. The other characters have cameo appearances until
we will be bringing them back in various strips of their own in different
titles, but not necessarily in the Crusaders."
Buckler also is keen on the idea of
making that particular title the flag ship publication at Red Circle as well.
"I would like for that book to be
the main book here," he explains. "It may prove to be not the most
popular of the types we bring out, but I would like to see it be that. Not just
because I'm writing it and drawing it, because I may not always write and draw
it, but because it features all the characters, at least right now. But I'll
trim that down and it'll feature eventually the most popular characters. I need
some reader response about that. I need some feedback about that."
When Red Circle revived the MLJ/Mighty
Comics heroes, they brought back both the Shield characters. The two are
featured in Mighty Crusaders #1, but in an effort not to totally confuse the
readers that too will change.
On this subject, Buckler has this to
say.
"In the second issue, the two
Shields will be separated. The original Shield is going to leave the group, but
he'll have his own solo adventures; he's too good a character to throw
away." Also leaving the group in the near future will be The Comet, who
will eventually return to his forties type style version.
Other features the fan/collector market
will enjoy are things such as wraparound covers featuring all art and no
advertisements or UPC box. And, at present, the distribution of the Red Circle
books are specifically for direct sales and no news stands."
"Presently, that's it," says
Buckler. "But very soon, we can expect to go to the news stand
distribution? It's my feeling that whether the code symbol is on there or not,
it doesn't tend to affect the collector market in any way. But we wouldn't do
comics any other way if they had the seal on them or not. We may decide to go
with them at that point or we may go with our own seal of approval that Archie
Comics had awhile back. It doesn't mean that the Code is keeping their eye on us
and keeping us in line. It just means that we're keeping our eye on us and we're
doing what we feel is top material that doesn't need to sink in any kind of
sensationalism or exploiting violence or sex or whatever seems to be the big fad
at the moment. We don't have to ride on those trends. Actually, what I'm hoping
is that we set trends, at least in comics. Hopefully, the elements of one of
those trends will be good or great art and storytelling."
Working in his capacity as editor of
their Red Circle line, Buckler is doing his best to insure the publications are
not just your average comic books. For example, many standard comic books will
consist of a lead feature, followed by a short "backup strip."
Asked whether the Red Circle books
would cohere to this type of format, Buckler stated, "Most of them will not
have to have back ups, but each of the books will have a lead feature which is
what you'll be buying that particular book for. But we're hoping to use the
remainder of the book to turn the readers onto other stuff. Either they're
strips that will hopefully merit their own books, or just good solid strips. Not
just back up strips, per se, not just filler type material that you put into the
rest of the book to solve a deadline problem, or just to fill up the book, as
you couldn't figure out what you wanted in it. We're being a lot more deliberate
about that as we're actually going to be using that space very creatively
because we're going through all that trouble of printing all those .books on
mando stock."
Also his duties in that editorial
position include taking great pains to make sure the continuity doesn't get out
of hand, something which tends to happen to companies that publish titles with
singular characters who have their own title and appear in a group book as well.
On this, Buckler said, "I work
with my writers on plots; I don't force feed them, but we talk things over. But
I like to keep track of the continuity, and I have each of the books
interrelated in some way. They cross over, and they all meet in the Crusaders,
not necessarily continuity wise, but there are situations that kind of cross
over, similar to what happened back at Marvel Comics back in the 1960's, where
plot lines would sort of spill over into other books, but not in a confusing
way.
"There are connections so that all
of these heroes don't have necessarily totally, separate realities when they're
not having a Crusaders adventure. I'm hoping that each of the books turn the
readers on to the other books."
As with any character or group of
characters that was previously published, cancelled and picked up at a later
date, research also plays an important part when characters are revived in this
way. How much research was involved with the Red Circle line?
"All we had to do," Buckler
states, "was more or less really just pick up where the Crusaders left off
when Mighty Comics brought out the Crusaders. And I might mention for the
readers who don't know, that Mighty Comics was still Archie Comics, or Radio
Comics, or whatever you want to call them. And, of course, I researched that
stuff, but I delved into the forties stuff researching. So we'll be pulling
things here and there on specific events that I feel should have affected the
characters in a way that would've changed their lives. There has to be something
that happened in these characters' lives that were significant like there are in
real people's lives. So we'll refer to events like that. I'm also going to give
them some adventures where they feel they've been through something. The way a
character develops and changes is a result of what they've gone through. Not
every adventure is a throw away; you'll get tired of that after a while and
you'll wonder when anything significant is going to happen to this guy."
Also, of special note to the collector
and fan is the special project Red Circle has in the works as well. This
consists of
a special edition reprinting of
material illustrated by fan and collector favorite illustrator Jack Kirby. The
proposed editions will reprint the best of his material previously published in
The Fly, as well as the Double Life of Private Strong Shield material. All on
Baxter paper and between wraparound covers. How's that for helping to win the
audience over?
Red Circles' new line of revived heroes
need strong support from the fans and collectors. The books are definitely more
geared towards them, to make their titles successful. Red Circle has taken the
first steps to try to make them that, but they are counting on strong fan
reaction in order to help these titles further in change and more towards that
particular market readership. Taking this point up, Buckler had this to say,
"We're trying to get a handle on what the fan market is opened for and what
they're looking for. I would hope that we're going to put out some of the books
that everybody's been looking for. You see, the fans may assume that the
companies know just what they want, but they don't necessarily. We're really
trying to figure it out, but we could use a lot of help. It really wouldn't hurt
to send us lots and lots of letters, telling us, `Hey, you know we love the
Shield, but we hate the Comet' or whatever. But not just that but also, what do
you like about him, and what don't you like about him. I want to hear this
stuff. And also, taking it a little further, I'd like to hear from the fans what
books they'd like to see. What kind of stories do they like to read? I know that
there's a lot that hasn't been done, and certainly we're trying to break some
new ground."
And so, in closing, it is apparent that
the new Red Circle line is off to a good start. It is comforting to see that
this company does consider the fan and collector markets strong and important
enough to try and impress them from the start and listen to them in the way of
their comments and criticisms in order to make the books even more approved and
supported by them.
"The fan should be alerted to
expect a lot," concludes Rich Buckler. "And I think they will be
pleased and very pleasantly surprised. Let's hope so."
Copyright
© 1983 Comics
Collector
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