COMICS
BUYER’S GUIDE #958 March 27, 1992, Front Page
Valention
defends Image: Who's producing what, when, and why
By Rik
Offenberger
"What
have you heard about Image Comics? Was the article in Comics Buyer's Guide
accurate? Just who is involved, what will they be doing, and will it mean the
end of the world as we know it? It’s time to end the rumors and hear the
truth. Attend the CCD Jim Valentino meeting: Tuesday evening, February 25th,
1992, 7:30 p.m. Retailers only."
After
a build-up like that, how could anyone not attend the meeting at Capital City
Distribution's Commerce, Calif., warehouse? I went with two of my employees to
represent my store, Paper Hero Comics. Jim Valentino, as one of the original
founders of Image, answered questions for two hours. The following is
information that is pertinent to both retailers and consumers.
•
Who is involved in Image Press?
"Image
was the best-kept secret in the comics industry. We have been working on it for
six months now, ever since Marvel threatened to sue Rob [Liefeld] over The
Extremists."
Image
Comics consists of seven voting partners: Rob Liefeld, Todd McFarlane, Erik
Larsen, Jim Lee, Marc Silvestri, Whilce Portacio, and Jim Valentino. Other
professionals who will work (not necessarily exclusively) for Image include
Chris Claremont, George Perez, Dale Keown, Sam Kieth, Ken Steacy, Brian Murray,
Scott Williams, Tom Orzechowski, Hank Kanalz, Brandon Choi, and Marat Mycheals.
Considering working on new projects with Image are Perez, Keown, John Romita
Jr., Jim Starlin, Mike Grell, and Mark Texeira. There has also been discussion
with Jack Kirby about bringing back Captain Victory in some form or another.
Valentino
said, "We're talking to people all over the entire spectrum of the
comic-book field, so, hopefully, we will get a wide range of people."
He
also said, "Peter David has said he will categorically never do a book for
Image, and we all kind of agree on that. So we seem to be agreeing on
something."
Many
Marvel artists are involved with Image; will they still work for Marvel, too?
"Todd
McFarlane left Spider-Man almost a year ago. Rob Liefeld was asked by Marvel to
stop penciling X-Force with issue #9 and to stop plotting with issue # I 2. Jim
Lee is leaving X-Men with issue #11. Marc Silvestri is leaving Wolverine; the
issue number is undetermined. Erik Larsen is leaving Marvel at the end of
Spider-Alan #22."
Valentino
said he was unsure when Portacio will leave
Uncanny X-Men. However, Valentino said
that he planned to stay on with Guardians of the Galaxy. He said he already has
the comic book plotted through issue #50.
•
Why start Image Comics rather than sell the creations to Marvel or DC?
"We
saw what happens when you sell Superman to DC, and we saw what happens when you
keep the Teenage Mutant Ninja Turtles for yourself. If you create Superman and
the company makes a billion dollars off it and you're living in a trailer,
there's a serious injustice going on," Valentino said.
As
to Erik Larsen's comment that was reported in CBG #953 ("I think that in
many ways we've been holding back"), Valentino said, "I haven't been
holding back, anything, ever. I don't think I am capable of it and I don't think
Jim Lee was holding back. I don't think anyone who has ever seen one of his
[comic] books can think that. I don't think Rob Liefeld was holding back; I
don't think anyone is holding back, except our original creations we've kept for
ourselves. There's nothing wrong with that."
As to why they are
doing super-heroes, he said, "These guys are at the top of their field and
the peak of their career and what they do best is superheroes." Further,
Valentino said, he had originally offered ShadowHawk to Marvel, as a project for
himself and Marc Texeira but Marvel didn't act on it in a timely fashion and so
Valentino decided to work on it on his own. In an interview in Comics Scene,
Liefeld stated that he had tried to sell part of the Youngblood team to DC as
Team Titans or Titan Force, but DC wanted to make too many
changes so now it's part of Youngblood.
• What is the editorial structure at Image?
Image Comics has no managing editor. "I don't think there is anyone all
seven of us could agree on," Valentino said, adding, "it's like we
just moved out of Mom and Dad's house and were on our own. We're not ready to
hire another Mom just yet." Each creator will work as his own editor.
• What does the exodus of these top-level creators mean to Marvel, and how
does Marvel feel about it?
Valentino said he doesn't think that Marvel will fall off the face of the Earth
without the Image artists. The top Marvel titles will continue to be top
sellers. If Image affects sales from the "Big Two," it will only
affect the bottom-of-the-line sellers or the sales of multiple copies of the
same issue. Marvel has some very competent people whom it will use to replace
the Image creators, he said.
Because of all the people leaving, Image seems to be perceived as an anti-Marvel
movement. It is not; it is a pro-creator movement, Valentino stated. According
to Valentino, Mark Gruenwald, a Marvel senior editor, talked with him Friday,
Feb. 21, and told him that Marvel in no way had any bad feelings towards any of
the Image freelancers.
• What is Image Comics,
what is its relationship with Malibu, and why did Image choose Malibu?
Image Comics is an
independent company, which has subcontracted with Malibu to solicit, collect
money, and publish for Image. Image had received offers from Dark Horse Comics
and virtually every other independent publisher before signing with Malibu,
Valentino said. If the deal with Malibu does not work out, Image Comics will
continue with another publisher, he said. He added that Malibu has demonstrated
difficulty in publishing monthly books on a monthly schedule but. Valentino
assured retailers, Malibu would get the
job done on time or there
would be a new company associated with Image Comics.
He said that Youngblood # 1,
which was solicited for February, was not yet late. The problem with Youngblood,
he said, is that Malibu has never printed a series with a print run this large,
and its printers were unprepared. He added that, with the late re-orders, print
run for Youngblood # 1 is now about 500,000 copies and said that the printer
will not be a chronic problem.
[Diamond Comic
Distributors, in its Feb. 27 Diamond Dateline, said that Malibu "reports
that Youngblood #1 has now passed the 350,000 mark in sales, with the book
already half completed and scheduled to ship in approximately 30 days from
Ronald's Printing." Malibu Creative Director Tom Mason told CBG March 5
that orders were at 459,000 "and climbing." Distributors had until
March 10 to increase their orders prior to printing.]
• What if McFarlane took
Spawn to Dark Horse? Would he still be part of the Image universe, if every one
else was at Malibu?
Valentino said, "We've
discussed what happens when someone wants to leave and take their characters
with them; unfortunately, Peter David wasn't in on it. It's your character; you
do what you want with it. If you don't want to be published by Image any more,
that's fine; come back anytime you want. We have no ties, but mutual
support."
Further, each character is
individually owned and, if Valentino and McFarlane wanted to do a crossover at
different companies, they still could. "Image is like a neighborhood in
which everyone has built their own house. If they move out of the neighborhood,
we will throw them a party. If they move back to the neighborhood, we will throw
them another party."
• Does Image expect to do
as well sales-wise as Marvel did with these creators?
Valentino said that "not all Spider-Man titles sell the same. The
difference is not the character, but the creators. Naturally, Spawn will not
have the readership of Todd McFarlane's Spider-Man. However, all retailers
should remember how many copies of Amazing Spider-Man they sold before Todd
McFarlane and how many they sold when he was on the book. Likewise, how many
copies of New Mutants they sold before Rob Liefeld and how many copies of
X-Force they now sell. The difference in sales represent the fans of the creator
and his ability to produce exciting and dynamic stories. It is the fans of the
individual creators who will buy these new books.
"It should be noted that
this is a brand-new company and readers will be able to get in on the ground
floor. Who can afford Amazing Spider-Man #1 or Fantastic Four #1? Everyone can
afford Spawn # 1."
After Youngblood, he said,
every comic book from image will be $1.95. "We want, as much as possible,
to not break
that $2 barrier,"
Valentino said.
• What type of product support can
retailers expect from Image Comics?
Valentino said that Image
Comics is looking into co-op advertising, retailer-sponsored creator
appearances, posters, t-shirts, buttons, trading cards, and bisques, all at a
competitive price. Image's seven co-signers will appear together at San Diego
Comic-Con, he said, and someone from Image will be at every major convention
this summer.
• What about those multiple
covers that worked so well for Liefeld and Lee at Marvel? Will Image try to
duplicate this?
"The day of the multiple
cover is over. We're doing trading cards because we all dig them,"
Valentino said. He added that Liefeld is doing a flipbook much like Marvel
Comics Presents. McFarlane is including a poster. Larsen is doing glowing logos
on the covers. Valentino is doing silver ink on the cover because the character
is black and silver, but every issue will not have silver on the cover. Each
creator will decide what he wants to do with his book.
• What about distribution of image comics; are they a direct-only line?
"There will be no newsstand distribution of Image. When you d look at the
independent companies that went to the newsstand, you see a list of companies
that went out of business s very soon thereafter: Now, Comico, and First Comics.
However, Image is working on a deal to be distributed to Wal-Mart, Toys 'R' Us,
and other places where the comic books are non-returnable."
• What about the longevity
and desirability of these comics and this company?
"I think if Image Comics are going to fail, it's going to fail because we
are going to self-destruct. It's not because the customers don't want this book.
Thus far, egos haven't gotten in the way. We are all working for a common
purpose and a common goal."
The tentative
schedule for Image Comics as of Feb. 10 is:
March
1992
Youngblood#
1 by Rob Liefeld and Hank Kanalz; three-issue mini-series.
April
1992
Youngblood #2
by Liefeld and Kanalz.
May 1992
Spawn #1 by
Todd McFarlane, with pin-ups by George Perez, Dale Keown, and Ken Steacy;
ongoing series.
Youngblood #3
by Liefeld and Kanalz.
June1992
Savage Dragon
#1 by Erik Larsen; four-issue mini-series.
Spawn #2 by McFarlane.
July 1992
Brigade # 1 by
Rob Liefeld, Marat Mychaels, and Hank Kanalz; four-issue mini-series.
Savage Dragon
#2 by Larsen.
Spawn #3 by McFarlane.
Wildcats # 1 by
Jim Lee, Scott Williams, and Brandon Choi; three-issue mini-series.
Youngblood
Special # 1 by Rob Liefeld; one-shot.
August 1992
Brigade #2 by
Liefeld, Mychaels, and Kanalz.
Cyberforce # 1
by Marc Silvestri; four-issue mini-series.
Savage Dragon
#3 by Larsen
ShadowHawk #1
by Jim Valentino; four-issue mini-series.
Spawn #4 by McFarlane.
Wildcats #2 by
Lee, Williams, and Choi.
September
1992
Brigade #3 by
Liefeld, Mychaels, and Kanalz.
Cyberforce #2
by Silvestri.
Savage Dragon
#4 by Larsen.
Youngblood # 1
by Rob Liefeld; ongoing series.
October 1992
Brigade #4 by Liefeld, Mychaels, and Kanalz.
Cyberforce #3 by Silvestri.
ShadowHawk#3 by Valentino.
Spawn #6 by McFarlane.
Supreme #1 by Rob Liefeld and Brian Murray; ongoing series.
"Who's Who" in Image #1; probably a one-shot.
Youngblood #2 by
Liefeld.
November
1992
Cyberforce #4
by Silvestri.
Huntsman #1 by
Chris Claremont and Whilce Portacio; mini-series.
ShadowHawk #4
by Valentino.
Spawn #7 by McFarlane.
Supreme #2 by
Liefeld and Murray.
Youngblood #3
by Liefeld.
December
1992
Darker Image
#l, featuring Sam Kieth.
Huntsman #2 by
Claremont and Portacio.
Spawn #8 by McFarlane.
Supreme #3 by
Liefeld and Murray.
Youngblood
#4 by Liefeld.
1993
A
major inter-company crossover is planned, involving all Image characters.
This
schedule is tentative and is subject to change. If any of the mini-series do
well, you can most likely expect an ongoing series will follow, Valentino said.
• Now that we know the
titles, what's happening in them?
Youngblood
is two teams of heroes, a home team and an away team, who are also highly
visible media stars. Liefeld's basic idea is that this is what it would be like
if there really were super-heroes.
Spawn
was a black man who was murdered and went to Hell. He makes a deal with the
Devil to come back so that he can see his wife and children again. When he does
come back, it's five years later, his wife is remarried, and he's a white man.
Further, he has been given super powers greater than Superman but they are
finite in nature and, when they are used up, he's dead again.
Savage
Dragon
is a Chicago cop who is a one man S.W.A.T. team. He also hates guys
in Spandex costumes.
Wildcats
is the opposite of Youngblood, it is a covert team of super-heroes; the last
thing its members want is media attention.
Brigade
is a renegade bunch of young heroes who strike out against Youngblood.
Cyberforce
is a team of mutants who have been cybernetically enhanced by a major
corporation. Now they want to escape from the corporation.
ShadowHawk
is a mystery man whose identity is unknown to the reader. ShadowHawk's view on
criminals is that, if you kill them, you are letting them off too easy, so he
goes around town breaking criminals' spines. ShadowHawk replaces Pact on the
Image schedule because Valentino said he felt there were already too many team
comic books from Image to add one more.
"Who's
Who"
in Image is just what the title implies.
Supreme
was the greatest and only super-hero in the '30s and '40s and he had an ego to
match his power. He got bored with life on Earth and left. He now comes back to
Earth and discovers there now are a lot of other super-heroes and he doesn't
like that. Also, the government is upset that he has come back.
Nothing
is known about Huntsman at this time, Valentino told retailers.
Darker
Image will be an anthology title.
Copyright
© 1992 Krause Publications, Inc. All rights reserved
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